Review of The Rarest Bird in the World

In 2009, Vernon R. L. Head and his companions set out to become the first birders to see the rarest bird in the world, the Nechisar Nightjar.

I feel the need to open with a disclaimer. Book writing is difficult. And books aim for an audience. Sometimes, we find ourselves outside that audience. Reviews, I think, should begin from those premises.

This was the case for me with Vernon R. L. Head’s book The Rarest Bird in the World: The Search for the Nechisar Nightjar. On one hand, Head took on an impossible task: the only thing known about the Nechisar Nightjar is that exists, and even this is questioned. In 1990, scientists a single wing in a remote location in southern Ethiopia. In 1995, they published an article identifying it as belonging to a then unknown (to science) nightjar. They named the species Caprimulgus solala (the sole-winged goatsucker), or Nechisar Nightjar, for the location of the bird’s discovery.

Little is known about the wing. And thus the impossibility of Head’s task, to write a book about a bird about which there is nothing to say. Accordingly, The Rarest Bird in the World says little about the Nechisar Nightjar, beyond recounting the discovery of the bird’s wing. A twenty-five page chapter does help the reader understand the family of birds we call Nightjars, Head’s encounters with them as a bird-watcher, and his pursuit of some of their family members and more distant relative, such as Oilbirds, across the globe.

Oilbird, a relative of the Nightjars.
Oilbird. Photo by Doug Greenberg on flickr.

The Wrong Reader

And this leads me to the question of audience. Head is a global birder and The Rarest Bird in the World is as much about global birding as it is Head and companions’ pursuit of the Nechisar Nightjar. As such, it reads more as a travel book than a book about birds, or the environment, or nature.

To be sure, Head offers occasional remarks on conservation, evolution, or the behavior of birds. But The Rarest Bird in the World lacks the careful observations, grounded in a strong sense of place, that I look for in the books I read about birds and birders. Instead, Head’s destinations and his encounters with rare species at those destinations are central to the book. From these, he offers generalizations about what it means to be a bird-watcher. I imagine that some bird-watchers, particularly those who chase birds across the globe, will recognize their way of thinking about and doing birding reflected in Head’s book. As a mostly local birder, who usually eschews the chase, I didn’t.

Given how badly suited I am to The Rarest Bird in the World, I read it in a hurry. I nearly stopped, a chapter or two in, overwhelmed by Head’s use of metaphors. Probably 60-80% of the book’s paragraphs include at least one, often more. I think Head was trying to make the unfamiliar familiar. After all, most readers will not have observed the places and birds that Head wrote of.

For me, Head’s metaphors replaced careful observation of birds and the surprise that comes from uncovering something genuinely new or overlooked in the familiar feathers of a crow, raven, or starling. Head pursues the new in extraordinary encounters with extraordinary birds, and he tried to convey these experiences by comparing them to experiences slightly less extraordinary. Fair enough. But I still prefer the extraordinary in the birds of ordinary places. The ravens, kingbirds, and blackbirds who nest at strip malls have intrigue enough.

A Raven @ Tower of London. Photo by Kasturi Roy on Unsplash

Do Rare Birds Need Us?

The Rarest Bird in the World left me wondering what genuinely rare and vulnerable birds want of us. Surely, it’s to be left alone. Being discovered by humans is only “useful” to a vulnerable species in that some humans might protect that species from some other humans. Head tells some of these stories of species pushed to the brink by humans only to be saved, perhaps just barely so, by conservationists and ornithologists.

This is one of the tragedies of human discovery. For many birds, to be known by humans is fatal. And yet to be known, particularly today amid the Anthropocene, might be a vulnerable species best hope.

For more, listen to this 4 minute NPR program.

Featured Photo of the plains of Nechisar by flickr user Rafael Medina

Why are they called nightjars?

Somehow, most birders can better explain why nightjars, like the Whip-poor-will or Common Poorwill, are called “goatsuckers” than “nightjars.” This is so even though “Nightjar” is the widely accepted term for the birds, at least in the U.S.

Goatsucker, after all, is easy enough: Europeans, like Aristotle, once believed that the European Nightjars suckled goats at nights, blinding the mammals.

The “night” in “nightjar” is easy enough, too. Nightjars and nighthawks are mostly crepuscular and, to a lesser extent, nocturnal birds. They’re most active, singing and feeding, at dawn, dusk, and the hours in between.

But why “jar?” Nightjars have lived under other, similarly confounding names: “eve-jar” and “eve-churr.”

As with much of the symbolism surrounding the bird, the word comes back to their song. The word “jar” (and “churr”) to refers to sounds.1, 2

“Churr” is more narrowly related to sounds bird are credited with making — trilling, most notably. The word itself also has, to my ears, an aural quality. A churr sounds to me like the sound of an animal churring.

“Jar,” however, has all sorts of notes of meaning. It can just refer to a sound. But it can also refer to a “harsh inharmonious” combination of sounds. This description of the Nightjar’s sound makes more sense when applied to the European Nightjar, which sings more like a trilling insect or a haunted door than does the Whip-poor-will (which sings more like a country-folk singer).

“Jar” can also refer to the tick of a clock. It refers, too, to a quivering or grating sound.

And then there are the meanings that carry the human psyche with them. We can find a sound, a movement, another, a disagreement, or the world itself jarring.

As a verb, the word can refer to the act of making a grating sound. It can mean to cause something — our teeth, our nerves — to vibrate, uncomfortably or painfully.

Many of these meanings to “jar” are newer than the name “Nigthjar.” And yet some of the folklore surrounding the bird — their assaults of domestic animals, the omens of death they were understood to bring — are suggestive of the multiple meanings of “jar.”

The “Nightjar” is a jar for the sounds it makes — its trilling song. But the song itself might be jarring, an omen of impending death. Or the song may sound like the tick of a clock — there were some who believed that the number of times the Whip-poor-will repeats its song is a measure of the number of years to the listener’s death.

Even today, when the Nightjar’s song may mean only our lonesomeness or our nostalgia for a lost world, we remain jarred by the jar of a Nightjar.

Another Thought

Birders refer to “owling” to describe the act of going out at night to look for or survey for owls. Far less commonly used is the word “night-jarring.” I’ve never heard a birder use this verb, in fact. And the few written references I’ve seen to it — (in, admittedly, thirty seconds of investigating it) — refer more to the jarring nature of the encounter with night-jars than the act of seeking encounters with nightjars.

Perhaps we ought to bring this word into the field, to mean the act of seeking encounters with or surveying nightjars. And, still, the ambivalence will follow us: we jar the night as we seek its birds, the night jars us, and the nightjars, too, does both.

References

  1. “jar, n.1.” OED Online. Oxford University Press, June 2022. Web. 10 August 2022.
  2. “churr, n.” OED Online. Oxford University Press, June 2022. Web. 10 August 2022.

Featured Image, an engraving from George Pope Morris’s The Whip-poor-will (1846)

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