In 1926, Whip-poor-wills refused to leave the central Massachusetts town of Dunwich until after Halloween. The birds gathered in flocks — another inauspicious behavior — outside the Whateley farmhouse. There, the birds chanted their call in unison:
whip poor will, whip poor will, whip poor will.
Lavinia Whateley was never seen again.
H.P. Lovecraft’s “The Dunwich Horror” is arguably the most famous horror story to invoke Whip-poor-wills. Lovecraft has the birds engage in all sorts of un-Whip-poor-will-like behaviors — the flocks, the chants in unison, the late autumn departures. The birds are keyed to the deaths of humans, especially the “unnatural” humans like the Whateleys.
Lovecraft’s story wasn’t the first to invoke Whip-poor-wills to elevate a horror story. Washington Irving had a Whip-poor-will torment Ichibod Crane in “The Legend of Sleepy Hollow.” No doubt, the species was once common and well known around Tarrytown, where the headless ghost of a Hessian soldier pursued Crane. Crane, who seems generally afraid of the dark, heard the Whip-poor-will’s call as a moan, which blended with other noises: “the boding cry of the tree toad, that harbinger of storm, the dreary hooting of the screech owl, or the sudden rustling in the thicket of birds frightened from their roost.”
Neither was Lovecraft the first to invoke the unnaturally late Whip-poor-will. A decade or so before Lovecraft’s Whip-poor-wills postponed their fall migration to collect Lavinia Whateley’s soul, the journalist Clifford Raymond kept Whip-poor-wills at the Harteley House through October Hunter’s Moon. The birds waited around for this forgotten novel’s climatic scene, foretelling a death at the haunted house.
Out of Place, Out of Time
Nightbirds have long had a hold on the human imagination. They appear as shadows to us, as poor as our night vision is. They hoot and screech and churr and jar from hidden perches. We’ve associated them with impending doom — illness, suffering, death.
Shakespeare knew this, portending Caesar’s death by a daytime owl.
And yesterday the bird of night did sit
Even at noonday, upon the market-place,
Hooting and shrieking.
“Screeching owls are almost universally feared,” the anthropologist Edward Armstrong writes in The Folklore of Birds (1970, p. 115). But “this bird was especially ominous because of its unnatural behaviour.”
Thus, the literary allure of the unnaturally late Whip-poor-will, who persists into the darkness and cold of October — the Hunter’s Moon, the Halloween. And so, too, the allure of the unusual flocks that Lovecraft imagines, birds who chant with rather than against each other. Or the daytime Whip-poor-wills of Chapelwaite, an Epix series based on Stephen King’s short story Jerusalem’s Lot.
When birds no longer heed the laws of nature, something monstrous approaches.
So what should you do if you hear a Whip-poor-will on Halloween?